so I saw for 2 minutes an interview of Pastras on a website and he was talking about the warm applause he received from the audience. he probably didn’t understand that the audience was just happy that this paparazzi was finally over. now to some of my other thoughts. initially, I wonder why he was not ashamed to fund and ask people to give money to help implement this. as if, let’s say, with the means he has, he couldn’t turn her around. I feel sorry for those who gave and at the same time I laugh, because it seems that common sense is missing, think for a minute more that money is given. I agree, I continue. apparently this particular 40-year-old, as I saw very well in another comment, all he does is to fetishize the queer identity and prey on the public. (ah, that capitalism and queerbaiting) he says I’ll throw in some glitter, pansexuals, neon lights and buzzwords. but this is not what the community wants? here you are! indeed, he tries so hard to convince us that he is also the master of arts, culture, politics and cinema. he is also desperately trying to become the gaspar noe of Greece. no thanks i won’t take it finally, because I have to plug it somewhere too, this scourge of “aesthetically” beautiful Greek movies (who knows what plugs they were shot with) that are simply nothing more than an edgy Instagram post must stop. no, this is not cinema and I refuse to hear any comparisons with Nikolaidis (the poor man’s bones are creaking) Y. The film was also supported by the Onassis Foundation. I don’t think I need to say anything more about it. those who know, know.